Posts Tagged ‘shambhala’

Meditation Retreat

Wednesday, June 10th, 2009

I recently attended my first ever week long meditation retreat at The Atlanta Shambhala Center. This week long retreat was an Art Weekthun. Weekthun is a week long program based on the traditional Tibetan month long retreat Dathun. The art part of this meditation retreat was not the reason I choose this Weekthun over the others being offered this summer, I choose this one because of scheduling between my husband and I and because we could drive there. However this program was really perfect for me in all my practices, meditation, teaching and making.

The Atlanta Shambhala Center which hosted this Art Weekthun was so much more beautiful, grand, comprehensive and impressive then I could have ever expected. Their center and facilities are so wonderful, they are now being called an Urban Land Center. In about the past seven years they bought wonderful land with two buildings on it, built a large and beautiful new meditation hall, and acquired a guest house. I could not recommend doing a program there enough. I had such a great time, they are so friendly and wonderful it was just great.

The Art Weekthun was an interesting program consisting mostly of sitting meditation, but also interlaced with different art practices meant to be executed as a continuation of meditation practice. This was my first exposure to Dharma Arts. I found the form and the approach to be a great way to remind me of how my own art practice is a type of meditation practice. Getting into the “zone” or “flow” is the basic joy of making. The Dharma Arts we practiced there are like a direct connect to that place.

The Dharma Arts approach, for me, was at first too simple, but as I stayed with it, rather then being a know-it-all in my mind, I realized that within this simple approach was some of what I’ve been missing in my teaching. I needed to see and do very simple exercises to realize how I could connect and engage my students more. This lead to a conversation with Lance Brunner about my interest in mindfulness or contemplative practice in higher education. More on this later….

Equally important was the sitting meditation. I really felt my practice deepen. I really began to see the gears of my mind, and my ego’s agenda. There were wonderful moments of understanding. I can’t wait to do another Weekthun, hopefully soon or maybe a Dathun.

This blog seems so short and inadequate compared to my experience there. I know that it will offer me more to learn as time passes.

art weekthun at atlanta shambhala center 2009
Fungi @ Atlanta Shambhala Center

Clocking In

Monday, January 12th, 2009

The new year has started off great! I’m not really that into new years resolutions because I think they are too rigid of a concept, but I have made some changes.

Michael and I are meditating together almost everyday, and we have been to the Shambhala Meditation Center two Sundays in a row. Our goal was to meditate every day in January, but we have already fallen short of that, however our goal has created some momentum that has us returning to the cushion.

I have scheduled on my google calendar to be at my studio two hours every weekday this semester. I am off to a good start. My commitment is to be there for two hour even if there is nothing to do. I have been organizing and rearranging things over there and I am really enjoying it. It feels like a new studio. Committing to be there no matter what is already rejuvenating the practice of play that has been absent from my studio for many years.

Artist as Ronin – No Self (an essay for the local Shambhala news letter)

Friday, September 5th, 2008

Artist as Ronin
No Self

A contemporary artist without self is lost without a master. Modern and contemporary Western art has relied on and fallen for the personality of the artist, the moody, or drunk, or demanding, or troubled being that is the artist. The artist’s personality often drives the consumption of the artwork, and is often used to create a linear interpretation of the work, rather than allowing the viewer space to experience the work. The artist in Western traditions has been associated with a myopic often near madness that compels them to create their work without regard to others. The artist has even been see as divine.

As a contemporary artist, I might be doing it all wrong. I will wear different clothes, different masks, and perform different tasks. I am for hire. My work will change from place to place, time to time, and to suit the audience. I have no plan for my body of work or my portfolio. My vision is no vision. The more I practice meditation the further I become from fulfilling my role as artist.

Like the ronin released from their master, there is shame in my practice. A ronin is a samurai with no lord or master. After losing his master to death or ruin, a samurai was expected to commit suicide. Those who didn’t lived a drifting life and were shamed from their samurai community. My art practice fails the contemporary art community because my work becomes like a mirror, a lens, a tool, for questioning what is around me, not a driving force of self-expression. My work explores the space of the gallery and the space of the viewer’s mind. My successful work creates space, a moment, and emptiness.

But really, being without self is the challenge and this is the goal for me as a mediator and an artist. My goal is never knowing about what I’m making, but rather to be in the studio making without knowing why. To be lost in the process of materials, ideas, and impulses is the joy. My art practice and meditation practice rely on being open to whatever comes up, to having no agenda, and to recognizing the unexpected as an opportunity.