Sculpture 1Loyola University Chicago |
Sculpure 1:
Hanbuilding CeramicsDrawing
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Found Object: The Form of RepetitionUsing a large quantity of a readily available, identical everyday objects or items, explore the physical qualities of them and discover a method for assembling them into a sculpture. |
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S. Chukwulebe zip ties, found bottles
K. McCall match sticks
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M. Carney dust masks
S. Blaw clothes pins, clothes line
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N. Arellano paper plates, grommets, lacing |
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Volume: the space withinCreate a form that expresses volume using chicken wire as an armature and creating a surface with plaster of any material of your choice. |
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A. Bellezzo styrofoam, plaster, fabric dye
B. Koch chicaken wire, ribbon |
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K. Cygan styrofoam, plaster
K. Dugan chicken wire, lace |
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Reliquary
This assignment stresses an inside outside relationship, and developing a specific space for a personal item. |
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B. Delaney found wood, cloth, Democratic National Convention delagate's pin K. Dugan plywood, paint, tassels, pearl necklace |
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K. McCall plywood, moss, dirt, light, dried flowers |
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Y. Vilk plywood, brass buddha, out-sourced lazer-cut masonite
H. Lubowicz plywood, wood, tar shingles, Polish 1972 Olympic soccer team post card |
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HandbuildingStudents learn the basics of handbuilding through coil, pinch, and slab construction using stoneware and earthenware. Students are introduced to different materials and ceramic processes including mixing their own clay, high fire glazes, iron oxide wash, low fire under glazes, terra sigillata, and non ceramic surface possibilities. |
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A. Paciora earthenware |
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M. O’Malley stoneware with iron oxide wash
E. Rizki stoneware with iron oxide wash |
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C. Jechura earthenware with terra sigillata A. Prieto earthenware |
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DrawingWilbur Wright College
The most important goal of this class is facilitating students to shift their perceptions and ways of seeing from the linguistically based to the visually based. |
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