Renee Prisble Una
info objects space time new blog michael links
contact renee at una dash love dot com

 

Artist’s Statement

I use indigenous and chosen materials to create subtle minimal expressions involving space.  My work is about place, experience, and the body. The structure of experience interconnects people and places into a community of memory.  The body and place begin to resemble each other as their fictional memories become intertwined.  The body exposes its memories through the membrane of skin, and the place mimics the experience of its residents, wanting to express its own memories. My art explores connections, from the viral to the social. The spiritual expressions in my art reflect my investigation into human experience and as a reflection of the experience of art.  Spirituality, like art, copes with what is difficult, curious, wonderful and unknown.

My work is not about creating; but about noticing, focusing and distilling relationships.

 

 

Education

New York State College of Ceramics at Alfred University                          2000-2002 Master of Fine Art in Sculpture/ Dimensional Studies

The School of the Art Institute of Chicago                                                   1995-1998 Graduated May 1998 with a BFA/sculpture

Loyola University, Chicago, IL                                                                      1994-1995

 

Exhibits
2008
Northeastern Illinois University Gallery- solo show
2007
NAB Gallery, Chicago IL
 
Solo Show- Sentient -September 7th
   
Polish Museum of America
 
Curated Show "Jay-Walking" June 15, 2007
   
The International Museum of Surgical Science, Chicago, IL
Solo Show- Biological Cartographies May 4- July 20, 2007
   
2006
The McCormick Tribune Freedom Museum, Chicago, IL
Chicago Prayer Wheel Project
   

Daley Plaza, Chicago, IL

Art Walks Chicago- Chicago Prayer Wheel Project

   
2005

Open End, Chicago, IL

Eightfold  a collaboration between Renee and Michael Una
   
2004

Open End,  Chicago, IL

Untitled Three Person Show

   
2003
Newspace,  Portland, OR
Broadcast monthly video screening
   
2002
Art Site at The Davies Building,  Wellsville, NY
 Somatic Building  MFA Thesis Exhibit
   
2001
Art Site at The Davies Building,  Wellsville, NY
Oscillating Perspectives
   
Art Site at The Davies Building,  Wellsville, NY
Pieces of the Whole- New Glass Work
   
John Woods Studio, Alfred University,  Alfred, NY
Impression  solo exhibit
   
2000
Art Site at The Davies Building,  Wellsville, NY
Topographies
   
1999
New York Mills Sculpture Park,  New York Mills, MN
   
1998
Franconia Sculpture Park,  Shafer, MN
Body Builder and Sportsman Gallery,  Chicago, IL
Ferrosious

 

Grants
2007
Chicago CAAP Grant, Chicago, IL
2005
Chicago CAAP Grant,  Chicago, IL
2004
Chicago CAAP Grant,  Chicago, IL
2001
New York State Foundation for the Arts: Special Opportunity Stipend

 

Press
2006
Chicago Public Radio interview on Eight-Forty Eight Listen Click Here
In These Times, Art Space.  Vol. 30  Issue 11

 

Lectures, Residencies & Awards
2007
Columbia College Chicago: Visiting Artist
2006
University of Illinois at Springfield: Visiting Artist, Springfield, IL
2004
Millsaps College: Visiting Artist,  Jackson, MS
2003
Northern Illinois University: Visiting Artist,  DeKalb, IL
2002

Aspen Guard Station Artist Residency,  Mancos, CO

Phi Kappa Phi Honor Society,  Alfred University, Alfred, NY
1998
Franconia Sculpture Park: Internship,  Franconia, MN
South Shore Art Center: Third Place in Mixed Media- 3D,  Cohasset, MA
1993
Worchester Art Museum, Art All-State, Worchester, MA
1991
Boston Globe, Golden Key Award, Boston, MA

 

Teaching Experience
2006

Visiting Assistant Professor, Foundations: Northern Illinois University

Instruct foundations level 2-D Design.  Plan and organize all classes, attend planning meetings with other 2-D and Drawing faculty
2004

Instructor- Mold Making: Hyde Park Art Center

Developed and instructed a basic mold making class using plaster and latex.

2002

Instructor- Intro to Sculpture for the Liberal Arts Student: Alfred University

I designed this class to be a low tech, high concept class for an over view of contemporary sculptural concepts and practices.  Reading and assignments facilitate the conceptual investigation of materials and techniques introduced in class.  Other duties include creating the curriculum, stocking and maintaining the classroom, and keeping the budget.

2001

Teaching Assistant- Freshman Foundations Drawing: New York State College of Ceramics at Alfred University

Duties in this assistantship include attending weekly planning meeting, which includes contributing to the team teaching format of freshman foundations through input on in and out of class assignments, and assisting instruction in class.  Assignments and exercises for this class included drawing using charcoal, ink, graphite, found and home made materials, making drawing tools, drawing the figure in space, conceptual and observed self-portraiture, collage, historical research, drawing observed strangers, developing a narrative and composition, and drawing in nature.

2000-2001

Teaching Assistant- Sophomore Metal Working: New York State College of Ceramics at Alfred Univeversity

Assisting in this class included helping students with stick welding, oxy-acetylene cutting, MIG welding, gas furnace forging, grinding and finishing, bronze and aluminum casting-including resin bonded sand molding, classical investment molding, spruing and venting, chasing and patination.

1998

Teaching Assistant- Foundry Class: Oxbow Art School

Duties for assisting the foundry class included running the furnace, organizing pours for aluminum, bronze, and copper, facilitating green sand molding, demonstrating metal chasing techniques, and helping with the final exhibit.

 

Related Experience
2006

Preparator: Chicago History Museum

Used woodworking and problem solving skills to research, develop and produce mechanical and electronic inter-actives.  Recieved artifacts handling training.  Designed and produced basic mounts for artifacts using steel and plexi.

2005

Assistant Manager Sharp Instructional Shop: School of the Art Institute of Chicago

Responsiblities include supervising and instructing the safe use of tools and materials for mostly the freshman core studies, data management of authorized students, tool inventory, and tool maintenance.

2002

Experimental Television Center International Student Residency

During this two week residency, I learned to use analog (real time) video and audio processing equipment.  While learning and experimenting with the equipment which included the +,- 5 volt oscillators, cross-point latch mixer, colorizor, keyer, frame buffer, and live studio cameras, Mary Ann Wincorkowski and I collaborated to make a six minute video.