Sentient, Studio, Press

Today was a fun day in the studio. Above is the new configuration of Sentient for the exhibit at Northeastern. Anna Poplawska will be writing about the work in Yoga Chicago. She writes about spirituality and art and has a monthly column in Yoga Chicago. She came to my studio today and I am pretty excited.

My New Circular Saw

I bought a new circular saw today at Home Depot on Addison.

As I approached the mini van with my big orange cart of MDF, PVC male adaptors, other miscellaneous stuff and my new Milwaukee circular saw, I noticed a small man come out from behind the red big construction van parked next to my car. Since the housing market has crashed, men are looking for work in the Home Depot parking lots. Sometimes they want to help load stuff into your car. As I see this small man in a brown Carhartt-esque coat from the corner of my eye, I feel the hairs on the back of my neck spike up like a cat's. I am really aware of my new saw on my flat bed cart.

I turned from the cart for a moment, and he went for it! Immediately I am shouting "NO!" as I take it from his hand. He seems to motion he would put it in my car. I say, "NO!" repeatedly, and make a swiping motion with my hand. He still tries for ten foot peices if 1/2 inch PVC pipe on my cart, and again, "NO!" He finally backs away to stand by the back of the red van, right next to me. He doesn't look offended, and he doesn't defend himself. His face shows no emotion at all.

As I get into my car the adrenaline is pumping through my blood. I feel bad for him, that he probably is just looking for work, but I also feel like when I back out he'll try to car-jack me. I think about storming into Home Depot to complain, but I am worried about leaving my car now that he knows what is inside. I think about calling the police. Then I think both of these ideas are going over board. I wait till some one is near and back out. Its the owner of the red van. As I pull away I see them talking. The man was probably waiting next to the obviously best option for work- the construction van, and saw me when I approached.

Driving to my studio, my resolve of knowing that I handled the situation in the best and most effective way I could have, mixed with the probable reality of a man out of work and who has become used to being yelled at when offering help. The entire situation is upsetting. But the mixing of compassion with self defense in the aftermath felt like shaking oil and vinegar dressing, they mix only with vigorous effort and only temporarily.

Students Drawing in the Atrium at Wright

I had them combine three perspective views of this space into one abstracted composition! It pretty much rocked.

Students Drawing Today at Wright

Redundantly American in Free Februrary

We went to see the Hopper exhibit Saturday at The Art Institute, during free February.

The Hopper exhibit was predictably lovely. His work reproduces very well, so there is not much more revealed in viewing the paintings in person. The canvas are not unexpectedly big, but the colors can be quite vibrant. I really prefer his work focusing on urban and prairie scenes which include much visible and psychological space. There were some very cool early etchings, including two depicting the first "El" car. which I've been in at The Chicago History Museum. I find his work incredibly American, and it is not secret, that I am an idealist American, and I love being an American. His work captures American scenes and psychological space. After seeing his body of work, I felt like I knew him. I really feel like he was always right there with his subjects. That he wasn't an estranged visitor to the scenes and characters, but that he too dined with locals late at night, or sat lonely in a hotel room, or chatted with bathers on the east coast. I felt that he was right there with capturing what was current, because he was doing it. In the 50's towards the end of his career, he began painting western-route 60-esque travel and motel scenes. Just as America was embracing the car and newly paved and connecting roads. He seems redundantly American- being as he appears in photos, "Joe American", he seems to live the American life of the time, and then he cinematicly captures it in paint.

The last painting was the best and truly a culmination of his life's pursuit.


Saturday during free February was not the best time to see art, but is was a refreshingly casual and boisterous day at the museum, where everyone seemed to be enjoying themselves. And the museum was packed with a sea of visitors, really the way it always should be.

Don't miss "Girls On the Verge" in the basement. Its delightfully uncomfortable, sensitive, humorous and shocking.

Gordon Matta-Clark

This past weekend, Michael and I went to see the Gordon Matta-Clark exhibit at the MCA. I was so happy to finally see the MCA hosting (almost) contemporary art, and an artist that I've admired for a long time. The exhibit is great, but since Matta-Clark's career was so short, there wasn't much there that I hadn't already seen or read about. I was really inspired by the table of books that was source material for and documentation of Matta-Clark's work. I took notes.

Collective Chicago

Whats going on with "underground art" in Chicago?

I wanted to be in a collective. I felt that a collective was a great opportunity to learn about other artists' practices, collaborate, try new things, be part of change. But the few art collective exhibits I've been to (both underground collectives and mainstream) look just like gallery exhibits. It seems like the collectives are just mimicking the gallery system they seem to say they rebel against. Why exhibit gallery art in an alternative space?

Maybe these are separate issues, but where is the performance art? Were is the site specific installation. Where are the revolutionaries? Who is planning the next deviation? Who wants to? Is there an avante guarde in Chicago?

On the plus side, I went to an apartment gallery (only once) that shows great promise. Mini Dutch exhibited two interesting pieces this winter. One was an interactive sculpture, and the other was a site specific installation in their "installation room." Not only was the work good, the presentation great, and the gallery director professional, but I didn't feel like I walked into a clique gathering that was accidentally listed in The Reader. Although it was in their home, it had a professional feel, and the party aspect was down played compared to the art.

Studio Search

Last year I began renting a studio in the basement of a two flat, directly behind our old apartment. It is really basic, low ceilings, shedding brick walls, humid in the summer cold in the winter... I rent about 200 square feet, for pretty cheap. Its still in a great location for me, even since we moved, but it seems so unprofessional to have curators to visit. I have been looking to upgrade, but it has been a sad search, so far. Big cheap spaces, in very bad neighborhoods, with sketchy management. I seek a studio that I like to hang out in, like to read books in, have fun organizing, would like to have people over to...